American Research Journal of Humanities and Social Sciences

The living folklore, dhamergaan has been held for ages in the northern part of Bangladesh. Like other elements of folklore, it has evolved out of a desire for humanism and is purely secular. It does not hurt or ridicule any religion in any way. As a result of the unification of all communities irrespective of caste and religion, on the one hand, such non-communal thinking is manifested. On the other hand, it became acceptable and popular with everyone. Music is dominant in dhamergaan; hence the common people consider it folk music. An attempt has been made to present it as a genre of folk drama. Important features like its origin, naming, format, purpose, story and language, content, dress, instrument, acting and presentation style have been explained here. The rules and regulations observed in dhamergaan are influenced by their religious beliefs and certain practices. A clown character is present. The dialogues are composed and practiced in regional languages. At present this living folklore is still lying in disrespect and neglect. Therefore, it is important to collect the turns, preserve this folk tradition and present it to the world court. This elusive dhamergaan of Bangladesh must be taken care of and preserved.